"If it senses sadness with its fluffy fur, a Blissey will rush over to the sad person, however far away, to share an egg of happiness that brings a smile to any face."
- Blissey’s Emerald Pokédex Entry
okay this might be the stupidest comic i’ve ever drawn.
"We’re preparing you for the real world"
I don’t meant to alarm you but
the real world has calculators
Oh honey, that’s just how old houses are. They settle. They sometimes creak or groan, or quietly weep, or demand blood sacrifice in voices that sounds like the fluttering wings of a thousand moths. It’s just the house settling. For whatever it can get. Go back to sleep.
• they’re fucking women
… I think I agree with drake’s tags, this is perhaps not the most carefully-considered phrasing, as some trans women are straight or ace.
I feel bad for laughing, because there is a genuine truth somewhere…
freeglassart said: You may get asked this a lot, so please excuse my ignorance - but how do you go about constructing character expressions and body language and such? Thanks!
Besides The Basics (construction of heads and skulls and muscles and skeletons and how they move), I’ll go over some things I’ve been trying to work on myself lately:
1. Treat expressions as a single gesture of the face/head, as opposed to a head and then individual features dumped on a plate and arranged into an expression.
First, just get down the big shapes of your expression, just like you would for a pose.
So say I wanna do a low angle angry pose. I know the features are gonna be all mashed down at the bottom because of perspective.
Scribble it down
start to put on features
put on more stuff
fix stuff again
erasing and flipping and stuff a whole bunch until you are happy with it or stop caring
Whole head is a gesture!
2. Just like a facial expression, jot down where the important parts of an entire pose goes first. You can force the rest of the body to fit the pose.
So here I knew I wanted the shoulders tilted a certain direction, and te hand to be in that particular position in front of her face.
That’s the simplest explanation I got. Don’t be afraid to push and pull faces and bodies around! Worry about being “on model” last!
important for any artist
Like this is legitimately interesting and I’m not trying to make a point but honestly curious- why do artists apparently draw women as male torsos + breasts??0
because apart from amount of breast tissue, all humans have the same chest anatomy. If you ever have the opportunity to look at cadavers, without skin and fat we’re all basically identical.
Jack is hardcore as fuck
scare me like one of your french girls
For money money, the most interesting thing about this confrontation is how completely it inverts the final scenes of a typical Disney film. In most cases, the hero is physically and/or supernaturally outmatched, and triumphs through determination and ingenuity; here, the villain spends the the whole fight running scared, while the protagonist casually no-sells everything that’s thrown at him. And there’s no ironic Disney Death keeping the protagonist’s hands clean, either. Jack just straight-up murders Oogie with malice aforethought while Oogie is running away - and by having Santa Claus himself strike the final blow, the film legitimises Jack’s killing of Oogie as the morally correct course of action.
You don’t fuck around with the motherfucking pumpkin king